Rewriting today

 I'd started a new plot thread about Seki having to get a new job to stay afloat, and asking Sadako for help—and Sadako getting her a position as a production assistant on a cooking show. It was a fun idea, but it needed to lead into a much more major plot point, and it just wasn't working out very well.

So, goodbye production assistant; I've gone another way. But I had to tear out 750 words—alas.

The discarded words went into my file of cut scenes, which I keep in case it's ever helpful to refer back. (Doesn't happen often, but you never know.) Here, if you're interested, is some of the cut material:

On Thursday morning, Seki went to her first job interview in more than two thousand years.

After laughing at her for an irritating length of time, Sadako had steered her to the Third Tokyo World Online hiring system, with suggestions on where to look. T‑TWO was mostly hiring people with media credentials, but there were areas where you could get a foot in the door if you knew the right buzz-words.

(And, okay, maybe Sadako put in a word on her behalf. Seki didn’t want to know, but she damn well suspected.)

The interview went by rather easily—Seki did have decent people skills when she wanted to show them; she’d been a public figure for long enough that they were essential—and in a dizzyingly short time she had a “we’ll give you a call” along with a handshake which suggested that the delay was purely a matter of form.

Late that afternoon, she got a call to ask if she could start the next day. (Yes, Sadako had definitely put in a word in.) Seki gritted her teeth and smiled as she said yes.

And so, somehow, on Friday morning she was suddenly a production assistant on—of all things—a cooking show.

How Makoto and Artemis laughed.

*

“Production assistant,” she quickly discovered, meant that she was a general dogsbody who did anything and everything needed on the set, that wasn’t being done by somebody more experienced.

For a while she thought she would go mad, constantly being called to do dozens of things at once, all of which seemed to involve technical terms that she did not recognise. “Call sheets?” “Wrangling?” What was any of that supposed to mean? After she got shouted at for opening a tool box to look for something called a “gaffer,” she almost lost her temper.

At that point, thankfully, she was taken under the wing of a fiftyish man with a long, mournful face who seemed to have worked in the industry for most of his life. He started to explain things, and after a while she began to follow what was happening around her.

In the afternoon, she even had a chance to shine, when one of the chef’s assistants tripped over a cable and ruined a trayful of something (by this time Seki was no longer paying attention to what anyone was actually cooking), and had a meltdown on-set. To Seki, who had been Queen Serenity’s major-domo for several hundred years, a stressed-out servitor was nothing new. She stepped in, drew the crying man aside, and spoke to him quietly. He reacted to firm, level-headed authority like most people do, and within a few minutes the crisis was over; the chef, working quickly and expertly, managed to replace the ruined tray; and production wrapped for the day only ten minutes late.

Nobody said thank you to Seki, but she felt the producer’s eyes on her, and suspected that her job was secure.

Progress update: 13,658 words.

More updates

All chapters have now been updated to the new style, which I hope you'll find more readable.

While I was at it, I did a couple of very minor tweaks to the Interlude chapter (I'll be amazed if you spot what changed). Plus I updated the Appendices; mostly adding new entries to the Timeline.

I should probably do a revised edition of the ebooks, sometime, and actually put links to them on the web page. (I've only ever mentioned them here in this blog, so far.) As ever, I'm held up by not having any decent cover art for them. (Maybe I should see what an AI can manage?!)

Yes, still writing

I've slowed down a bit since returning from Japan—there are just too many distractions at home, unlike being in a hotel room where there's not much to do in the evening except write. But I'm still working.

Today, more or less finished (there's a tiny bit still to do) work on a scene that I've been building toward for three chapters now. That feels good.

I'm starting to think that I need to go through the entire story and make a spreadsheet of what honorifics all the characters use for each other. It's too hard to remember; I have to keep looking back at earlier chapters, which usually ends up with me wondering if I've been inconsistent. Sigh.

Chapter 16 update: 12,055 words.

Minor update to Chapter 15

 Hi there,

I've just posted a minor tweak to chapter 15. (Note, this update is only on my website; I haven't gotten around to putting it on FF.net). There's a scene in the chapter where Iku appears to be sharing a room with Dhiti—whereas other scenes, in both chapters 14 and 15, make it clear that Iku is staying in the guest room at Dhiti's house.  So I've rewritten a couple of paragraphs to fix that.

As part of the update, both chapters 14 and 15 now have an entirely new look—they use a different stylesheet which I think is a lot more readable than the old one. (Chapter 14 doesn't show on the SM4200 page as an update, because there's no actual story changes—just style changes.)

Let me know what you think of the new look!  If people are generally favourable, I'll update the earlier chapters as well.

Chapter 16 update: now at 9169 words.

Goodness me, I’m writing again

 I did an idle Google search for “Sailor Moon 4200” the other day and it led me to a podcast about SM4200 (incredibly kind, by the way): https://retrofanficretrospective.podbean.com/e/episode-96-sailor-moon-sailor-moon-4200/

After listening for a bit, I had to look up a point of what they were saying. And then, quite suddenly, the writing bug bit me again.

Since then, I’ve been writing every evening, here in my hotel room (ironically, I’m in Japan right now, and for the next week or so). Pages and pages of new material. More importantly, I’m enjoying writing again.

So…yeah, Chapter 16 is well under way.

I’ve also been re-reading a lot of the earlier chapters, both to refresh myself and to get the flavour of the story again, and I’m finding myself tempted to go back and do another general revision to tighten up the writing. (Honestly, the opening of chapter 9 is painful; it seems that every time someone says anything they beginning it with “So”.) But, tempting though that is, I think I’ll stick with writing new stuff, which seems a bit more productive.

Wishing you all a happy New Year for 2026!

 So I asked ChatGPT:

Tell me about "Sailor Moon 4200".

And ChatGPT replied:

"Sailor Moon 4200" is a fan fiction series written by Erin Ptah. The story is based on the "Sailor Moon" anime and manga series created by Naoko Takeuchi, but it takes place in the year 4200, several centuries after the events of the original series.

The plot of "Sailor Moon 4200" centers around a new group of Sailor Senshi, who are the descendants of the original Sailor Senshi. The main character is a teenage girl named Karen, who becomes the new Sailor Moon. She is joined by a diverse cast of characters, including other Senshi, humans, and aliens.

The story explores themes of identity, relationships, and the consequences of actions. It also features elements of science fiction, as the characters travel through space and encounter alien civilizations.

One unique aspect of "Sailor Moon 4200" is that it is written in a serial format, with new chapters released regularly on the author's website. The series began in 2002 and is still ongoing, with over 170 chapters currently available.

Overall, "Sailor Moon 4200" has been well-received by fans of the original "Sailor Moon" series, who appreciate the author's attention to detail and the way she has expanded on the original mythology.

I…I don't know what to say.  (I forgive you, Erin.) 

Minor Update to Chapter 15

Thank you to the anonymous Fanfiction.net poster who caught a couple of continuity problems:

During the scene in which Sese is listing the problems with the Council the name of the Chairman is wrong, it should be Fukuda Ikemoto. Takeda Ryobe is Number Three.

When Suzue and Keiko go from the airport to her house they take a bus but in chapter 12 they took a train. I suppose that it is possible that there could be more than one way to go from one place to another, the train service be stopped or inconvenient or in chapter 12 they weren't going to her house, but still it caught my attention.

Good catches, both.  I have posted a corrected chapter 15 today, both on my website and on Fanfiction.net.

 Chapter 15 Released

Took far too long.  I know.  But here it is, at last.

Please note that this chapter has not been pre-read.  Nobody's had a sneak first look at this.  So, if you spot any mistakes, or typos, or anything that contradicts previous chapters or just pain doesn't make sense…I'd love to hear from you.

I'll be posting it on FanFiction.net when I get a chance. (That may take a bit longer, because FFNet loves to tinker with formatting, so I'll have to work a bit to get the chapter looking the way I want it to. But I'll get to it.)

And finally...yes, I have started work on chapter 16.